![]() ![]() "Wolfenbüttel Lute Tablature. 5-course lute? diagram in German tablature.The names of places have been given their modern English equivalent, for consistency, and the modern political names of the countries in which cities are located have been added in brackets. (Baden-Baden & Bouxwiller, Valentin Koerner, 1991- ). " SMT" refers to Sources manuscrites en tablature: Luth et théorbe (c.1500-c.1800), Christian Meyer, ed. " RISM B/VII" refers to Wolfgang Boetticher, Handschriftlich Überlieferte Lauten- und Gitarrentabulaturen des 15. Its half heart-shaped format is the most distinguishing characteristic and, in spite. Now in possession of the Biblioteca Oliveriana in Pesaro, Italy, this manuscripts contains Italian poetry, as well as music for the lute and the lira da braccio. These manuscript sources are from RISM and Frühe Lautentabulaturen im Faksimile/Early Lute Tablatures in Facsimile by Crawford Young and Martin Kimbauer (Winterthur: Amadeus, 2003). The Pesaro Manuscript is the earliest surviving lute manuscript with a substantial body of music. For more information, see: David Fallows, "15th-Century Tablatures for Plucked Instruments: A Summary, a Revision and a Suggestion." in Songs and Musicians in the Fifteenth Century (Aldershot, Hampshire: Variorum, 1996): 7-33. Some early performers, such as Conrad Paumann and Bonifacius Amerbach, played both keyboard instruments and the lute perhaps it was possible for some lutenists to read from what is traditionally thought to be keyboard tablature (with letters naming the notes). Therefore, several early sources such as the Segovia Codex, Faenza Codex, or Buxheim Organ Book, are not included here. ![]() Note that the list contains primarily music in some form of lute tablature, not music in staff notation or "keyboard" tablature that might possibly have been played on the lute. There are a few sources of tablature from the fifteenth century, all manuscripts. ![]()
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